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“Extraordinary… The building continued ringing. It echoed from the walls, it came from the sky, it seemed to emanate from everywhere and nowhere. This was a mass event that was also intimately personal; it seemed appropriate to greet your neighbor but not to watch too closely for any reactions. Far better to swim your own course through the sound and spirits.” —Tim Page, Washington Post [The full review is also included in the book Tim Page on Music by Amadeus Press.]
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“Taking typography to the forefront of the city’s minds.”
—The Creators Project
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“The artist explores interstices between mediums… We are left to find our way in the wilds between narrative and abstraction, sensing characters in bold gestures, mystery in shrouds of color, and tension and release in the play of lines.” —The Boston Globe
“[this artist] understands that connections between place and identity are created through action, and particularly through enactments of power.”—Duke Center for Scholars and Publics
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“Anna’s art is a metaphysical journey.”
—Revolving Museum
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“Her work stands in direct proportion to life. …Explosive and seriously playful.” —
Nanette Vonnegut, Take Magazine
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Studio 360 PRI interview about “The Alphabet” (2015) with Kurt Andersen.
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Anna’s works on paper are included in this issue of the Massachusetts Review: Vol. 52 issue 4 (www.massreview.org)
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In “Framing Locative Consciousness” Francisco J. Ricardo included Habeas Corpus and Bloom in his analysis of new media and locative art works. He argues that “the final experience needs to be approached with a kind of closure that is more than merely gregariously narratival or austerely conceptual, but is in fact conversational, meaning-preserving, and contemplative of the larger material and sensory whole to which locative art uniquely resonates and for which it appears willing to take extraordinary risks.” Read more here.
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MACARTHUR FELLOWSHIP CITATION
Anna Schuleit
Artist
New York, New York
“Work of conceptual clarity, compassion, and beauty…
Exploring the structures and settings of the past, their architecture, and their stories, Schuleit’s work pays tribute to forgotten lives and reminds us of our common humanity.”
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BIBLIOGRAPHY
Jacobs, Hannah Reclaiming Sites of Trauma, Duke Center for Scholars and Publics 12/7/2020
Animating Democracy Initiative Aesthetic Perspectives: Attributes of Excellence in Arts for Change, Americans for the Arts, 5/2017
Vonnegut, Nanette Transcendent and Tenacious, Take Magazine, 10/ 2015
Meier, Allison Artists redesign the Alphabet, Hyperallergic, 7/2015
Piepenbring, Dan A, B, C, and Other News, The Paris Review, 7/2015
Schwarz, Terry ed. A Lake in the Other Room, Article in Urban Infill, Journal of the Cleveland Urban Design Center, Kent State University, 12/2014
Cardiel, Dane Room for Five: Anna Schuleit & The Eastman Composers, Manor House Quarterly, Spring 2013
Morse, Erica Painting in Motion, The All-Nighter, RISD, 10/27/2010
Yung, Susan Here Rests Peggy, PBS Thirteen, SundayArts 10/22/2010
Gendolla, Peter (Editor) Beyond the Screen: Transformations of Literary Structures, Interfaces and Genre, Medienumbruche / Media Upheaval, 2010
O’Neal, Lauren Sensorial Archives: Subjectivity beyond Visuality—Counter-choreographic Practices in the Work of Xavier Le Roy, Nell Breyer, and Anna Schuleit, European Artistic Research Network, Helsinki, Finland, 2010
Wethli, Mark Visual Extremities: Anna Schuleit and the Art of Looking, Coleman Burke Gallery, exhibition catalog, 2009
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RADIO / INTERVIEWS
MOTH RADIO HOUR HEARING VOICES – stories of the power of sound and the newness we find through listening, and trusting our ears. Produced by The Moth + Atlantic Public Media. 1/15/2019
Schuleit Haber Studio 